The Democratic Republic of Congo has endured 20 years of devastating violence. Rape has been used as a weapon of war to destroy community and access precious minerals. Congo is often referred to as “the worst place in the world to be a woman.” CITY OF JOY tells a different story of the region. The film focuses on Jane, a student at a center where women who have suffered unimaginable abuse join together to become leaders. We also meet the founders of the center: a devout Congolese Doctor (Dr Denis Mukwege, 2016 Nobel Peace Prize nominee) a Congolese activist (Christine Schuler-Deschryver) and a radical N.Y. playwright (Eve Ensler, author of The Vagina Monologues). The film weaves between joy and pain as these individuals band together to demand hope in a place so often deemed hopeless.
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Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we’ve had no idea who these singers are or what lives they lead, until now.
Menahem Golan and Yoram Globus were two movie-obsessed cousins from Israel who became Hollywood’s ultimate gate-crashers. Following their own skewed version of the Great American Dream, they bought an already low-rent brand – Cannon Films – and ratcheted up its production to become so synonymous with schlock that the very sight of its iconic logo made audiences boo throughout the 1980s. And yet who could have foreseen how close they came to nearly taking over Hollywood and the UK film industry?
At an international school in Jakarta, a philosophy teacher challenges his class of twenty graduating seniors to choose which ten of them would take shelter underground and reboot the human race in the event of a nuclear apocalypse.
Through round after round of extensive plastic surgery and vigorous maintenance, Ririko has become the absolute manifestation of beauty, and becomes a wildly successful model, actress, and singer. However, soon, her body, unable to withstand the burdens of surgery, begins to crumble, and along with it so does her mind, as she plummets towards a frightening and inevitable end.
While settling his father’s estate, Finn Conrad becomes suspicious as to why the man left a nurse $50,000. His dad knew her for less than two months before he died. Just before Christmas, Finn wants what to reclaim what he considers his family’s money, going undercover to investigate the bed and breakfast the nurse has recently taken over. When Finn meets Willa, he discovers she’s not a conniving gold digger at all, but a woman in need who put the money to good use. When she discovers his true identity, will it keep Willa from ever trusting him again?
It’s not easy being a teenager and Mike, a sixteen-year-old, has it espcially hard. He lives in the sticks with his mother, a non-stop nagger, in Faintville, a Canadian timber industry town. He has no father, no friends, not even a favorite meal. Basically, his sole wish is simply to vanish from the face of the earth. One day, Mike writes his own obituary and shoots himself. To his great disappointment he wakes up the in the local hospital. During a routine examination, the doctors discover a plum-sized tumor in his brain. Mike can scarcely believe his luck and keeps the illness to himself to avoid undergoing surgery that would save him. Staring death directly in the eyes, however, changes Mike’s point of view and he re-evaluates his opinion of both enchanting and crazy Miranda. Somebody seems to understand him after all.
Clarence Reid is a musician who wrote and produced romantic and spiritual songs for some of the greatest Southern soul and R&B acts of the 1960s and ’70s. He is also the gonzo performer Blowfly, Clarence’s freaky alter ego and the original X-rated rapper. “The Weird World of Blowfly” explores both sides of this hilarious and controversial artist, providing a rare, inside peek at the infamous linguist’s daily life. Now 69-years-old, with a gold-spangled superhero costume and a catalog of the world’s raunchiest tunes, Blowfly tours the world, still struggling for success and recognition after 50 years of making music. The film highlights both Clarence’s and Blowfly’s unique contributions to music history, including Top-10 R&B hits and what might be the world’s first rap song, recorded in 1965.